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Old Master Paintings & Drawings / The Howard Phipps, Jr. Collection, Erchless, Old Westbury
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Auction of Old Master & 19th Century Paintings & Drawings and The Collection of Howard Phipps Jr., Erchless, Westbury on Tuesday, January 28, 2025 at 10am
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Auction of English & Continental Silver and English & Continental Furniture & Decorative Arts on Wednesday, January 28, 2025 at 10am
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Consignments Are Currently Being Accepted
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We Invite You to Contact Us for a Complimentary Auction Evaluation of Your Fine Art
NEW YORK, NY -- Doyle's auction on Tuesday, January 28, 2025 will offer 19th Century & Old Master Paintings & Drawings as well as The Collection of Howard Phipps Jr., Erchless, Westbury.
The auction on Wednesday, January 29 at 10am will feature English & Continental Decorative Arts and English & Continental Silver.
Auction dates
28 Jan 2025 10:00 ET
Viewing dates
25 Jan 2025 12:00 - 17:00 ET
26 Jan 2025 12:00 - 17:00 ET
27 Jan 2025 12:00 - 17:00 ET
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Auction currency
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USD |
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Buyer's premium
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28 % |
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Online commission
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3.50 % |
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VAT on hammer
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20 % |
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We found 77 items matching your search
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16th-17th Century Saint Paul the Apostle Oil on panel 20 1/4 x 15 1/2 inches (54 x 39.3 cm) Frame 27 x 22 1/4 inches (68.6 x 56.4 cm) Paint lifting, with some small losses. Old restoration to the face and hands. Some contours and shadows reinforced.
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Madonna and Child in a Landscape Oil on panel 16 x 10 1/8 inches (40.7 x 25.72 cm) Frame 20 1/8 x 14 3/4 inches (51 x 37.5 cm) Provenance: Leopold Hess, Berlin The Boydell Galleries, Liverpool Private collection This work is closely related to a painting of similar size attributed to Lucas Cranach the Elder and thought to date to around 1518, which is now in the North Carolina Museum of Art. Another, larger, version of the same composition belongs to the Bonnefantenmuseum, Maastricht. Some contours and shadows reinforced. Scattered touches of restoration elsewhere.
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The Holy Family with Saint Anne and Two Angels Sanguine on paper 11 x 8 1/2 inches (28 x 21 6 cm) Frame 18 1/4 x 15 3/4 inches (46.3 x 40 cm) Provenance: Private collection, New York [Sale] Doyle New York, May 24, 2023, lot 502 This drawing is closely related to an engraving by the Flemish artist Aegidius Sadeler (1570-1629; Hollstein/Sadeler 79, Hollstein/Aachen 37), which was copied by numerous printmakers, including Crispijn de Passe, Cornelis Passe, and Domenicus Custos. The original copper plate by Sadeler was in the collection of the Holy Roman Emperor Rudolf II in Prague. Numerous painted copies of this composition in various sizes also exist. Glued to the mount along the upper and lower margins. Paper toned. Nicks around the edges; creases.
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1
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Estimate
2,000 - 3,000 USD
16th-17th Century Portrait of François, Cardinal of Tournon Inscribed FRANCOIS . CARDINAL . DE . TOVRNON. across the upper register Oil on canvas 23 3/4 x 19 3/4 inches (65 x 50.2 cm) Frame 29 7/8 x 26 inches (76 x 66 cm) Provenance: Private Collection, Fairfield CT [Sale] Doyle, May 20, 2015, lot 9 Private collection
François de Tournon (1489 - 1562), a French nobleman and Augustinian canon, was an important advisor and diplomat to Francis I, for which he was rewarded with several bishoprics and in 1530, a Cardinal's hat. He later commanded the French army in Provence. In 1560 he retired to Rome, where he became dean of the Sacred College. He was also notable as a patron of Erasmus of Rotterdam and the founder of a Jesuit academy in his hometown of Tournon-sur-Rhone.
Glue relined. Scrapes along the edges; abrasion in the lower left quadrant. Some touches of restoration on the forehead. Minor paint losses.
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Estimate
2,000 - 4,000 USD
The Birth of St. John the Baptist Oil on canvas 39 x 50 3/4 inches (99 x 128.8 cm) Frame 42 3/4 x 55 inches (108.6 x 139.8 cm) Glue relined. Visible horizontal seam from an extension of the canvas running horizontally across the picture 7 inches below the upper edge. Scattered touches of restoration.
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1
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Estimate
6,000 - 10,000 USD
Italian, 1578-1649 The Virgin and Child with St. John the Baptist Oil on canvas 49 3/4 x 38 inches (126.4 x 96.5 cm) Frame 57 1/2 x 45 1/2 inches (146 x 15.5 cm) Glue relined. Paint lifting; scattered losses. Very dense old varnish layer; difficult to read under UV light. Shadows on the drapery reinforced.
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1
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Estimate
3,000 - 5,000 USD
Mary Magdalene Oil on canvas 32 3/4 x 25 3/4 inches (83.3 x 65.4 cm) Frame 42 1/2 x 35 1/4 inches (108 x 89.5 cm) Glue relined. Scattered restoration on the body of the Magdalene. There are 4 repaired holes in the lower left quadrant: one (5 x 2 inches) near the lower left corner; another (2 x 2 inches) below Mary Magdalene's right arm; another (1 x 1/2 inches) below this; and a fourth, thin horizontal repair further to the right. There are also 2 repaired holes near the lower right corner (one 1-1/2 x 1-1/2 inches; another 1 inch x 1 inch).
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Dutch, 1601-ca. 1683 The Deluge Oil on copper 7 x 9 1/8 inches (17.7 x 23.2 cm) Unframed Provenance: The Beckett Collection, Philadelphia
Losses around the edges, The varnish layer very dark. Some lines and shadows probably reinforced.
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Battle Scene Oil on canvas 17 x 23 3/4 inches (43.3 60.4 cm) Frame 20 3/4 x 27 1/2 inches (52.7 x 70 cm)
Glue relined. Scattered areas of of restoration.
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1
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Estimate
2,000 - 4,000 USD
The Finding of Moses Oil on copper 14 ¼ x 18 inches (36.3 x 45.8 cm) Frame 20 3/4 x 24 1/4 inches (52.7 x 61.5 cm) Copper dented at the upper right edge. Shadows and some other dark areas reinorced.
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Profile Portrait of a Man Wearing a Turban Signed Nieulandt pinxit and dated 1630 (ur) Oil on panel 16 1/4 x 12 3/4 inches (41.2 x 32.5 cm) Frame 20 1/2 x 17 1/4 inches (52.2 x 43.8 cm) Stable panel. A few small losses. Some lines, shadows, and other dark areas reinforced.
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17th Century Self-Portrait of an Artist Oil on canvas 21 ½ x 18 ¼ inches (54.5 x 46.5 cm) Unframed Glue relined, Frame rubbing around the edges. Darkened varnish. Contours and shadows reinforced. One small drop of what appears to be white paint to the left of the sitter's mouth.
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1
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Estimate
8,000 - 15,000 USD
Flemish, 1684-1749 Fancy Chickens and Doves in a Landscape Oil on canvas 39 3/8 x 49 3/4 inches (100 x 128.4 cm) Frame 46 1/2 x 56 1/2 inches (118.2 x 143.5 cm) Wax relined. Shadows and other dark areas reinforced. Craquelure. Some small losses.
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Cattle in a Pasture Oil on panel 9 3/4 x 13 1/2 inches (24.7 x 34.3 cm) Frame 13 x 16 1/2 inches (33.2 x 42 cm) Stable panel. Some tiny losses to the paint surface, and one 2 1/2-inch-long scratch near the lower right corner.
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1
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Estimate
4,000 - 6,000 USD
17th century Saint Francis Adoring the Cross Oil on canvas 36 x 33 inches (91.5 x 83.8 cm) Frame 44 3/4 x 41 1/2 inches (113.8 x 105.4 cm)
Glue relined. Restoration to the hands. Some shadows ad other dark areas reinforced.
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19th Century Christ Crowned with Thorns Oil on canvas 34 1/4 x 24 1/2 inches (87 x 62.2 cm) Frame 42 x 32 1/4 inches (106.7 x 82 cm) Glue relined. Shadows and contours reinforced.
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17th Century A Portrait of a Pope Oil on canvas 39 3/8 x 32 1/8 inches (100 x 82 cm) Unframed Glue relined. Visible areas of restoration to the face, beard, head, and collar.
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19th Century The Toilet of Venus Oil on canvas 32 1/2 x 39 1/2 inches (82.7 x 100.5 cm) Frame 38 3/4 x 46 inches (98.5 x 117 cm) Wax relined. Scattered touches of restoration, especially in the sky. Lines and shadows on the architecture reinforced.
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1
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Estimate
7,000 - 9,000 USD
17th Century Rebecca Giving Water to Eliezer and Jacob Lifting the Stone from the Well: Two Oil on canvas Each 47 1/4 x 58 1/4 inches (120 x 148 cm) Frames 54 x 65 inches (137.3 x 166.2 cm) The story of Rebecca and Eliezer at the well is told in Genesis 24; the story of the meeting of Jacob and Rachel appears in Genesis 29. Both: Wax relined. Some contours, shadows, and other dark areas reinforced. A few small losses.
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A Saint in Prayer Oil on canvas 13 1/2 x 15 1/2 inches (34.3 x 39.5 cm) Frame 17 x 19 1/4 inches (43.3 x 49 cm)
Glue relined. Some touches of restoration. Some shadows and other dark areas reinforced.
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17th-18th Century Saint Francis in Ecstacy Oil on canvas 19 ¾ x 16 ¼ inches (50.3 x 41.2 cm) Frame 33 1/2 x 28 1/2 inches (85.1 x 72.4 cm) Glue relined. Shadows and other dark areas reinforced.
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1
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Estimate
2,500 - 3,500 USD
Travelers Bathing Beside a Waterfall Oil on canvas 27 1/4 x 37 inches (69.3 x 94 cm) Unframed Glue relined. Losses around the edges, especially along the lower edge. Dense old varnish layer showing no restoration under UV light.
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Seated Male Nude Inscribed Spangno l (lr) Sanguine chalk on paper 14 x 9 1/2 inches (35.5 x 24 cm) Frame 14 1/8 x 18 3/8 inches (36 x 46.7 cm)
Paper toned. Scattered staining, especially near the lower left corner
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1
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Estimate
8,000 - 12,000 USD
The Birth of the Virgin Oil on canvas 74 1/4 x 62 1/2 inches (188.6 x 158.8 cm) Unframed The primary version of this beautiful composition, now in the Musée du Louvre, is attributed to the great master of the Carracci school, Annibale Carracci (1560-1609). There is another version in the Museo Nacional del Prado, attributed to the Bolognese artist Girolamo Bonini (ca. 1600-1680). Wax relined. Frame rubbing around the edges. Several dents in the canvas from pressure from the back. Shadows and contours reinforced. Scattered other areas of restoration.
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1
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Estimate
4,000 - 6,000 USD
Floral Still Life Oil on canvas 42 x 30 1/4 inches (106.7 x 77 cm) Frame 50 x 38 inches (127 x 96.6 cm) Glue relined. Scattered restoration throughout.
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2,000 - 4,000 USD
Portrait of Princess Isabella Stuart in a Landscape Oil on canvas 42 ½ x 33 ½ inches (108 x 83.8 cm) Frame 54 3/4 x 46 inches (139.2 x 116.8 cm) Provenance: Private collection, Germantown, Ohio
In 1673 Mary of Modena, daughter of Alfonzo IV of that duchy, was married by proxy to James Stuart, the younger brother of Charles II of England, and later Charles's successor as James II. At the time of their marriage, Mary was 15 and James 40. On August 28, 1676, their daughter Isabella was born at St. James’s Palace in London. In the autumn of 1679, King Charles sent James and Mary to Edinburgh to oversee royal affairs in Scotland, while their daughter Isabella remained in London. Sadly, on March 2, 1681, the girl died without having seen her parents again. After this heartbreaking loss, Mary’s health steadily declined, and she fell into a state of mental instability that continued for years.
In this composition, probably painted around 1677, the artist depicted Princess Isabella with a garland of flowers in her hair, seated on a red curtain with a lamb in a wooded landscape at twilight. The original version of the work is in the Royal Collection at Hampton Court, but at some point, that painting was cut down from its original size. The version offered here, produced in Lely’s studio, presents the entire original composition. Glue relined. Some frame abrasion along the upper edge. Scattered touches of restoration. Some contours and shadows reinforced
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Flemish, 1651-1704 A Priestess and an Attendant Preparing Fruit Garlands before an Egyptian Temple Signed J. P. Gillemans and dated 16 ... ft. ( lr) Oil on copper 13 1/2 x 16 1/2 inches (34.3 x 42 cm) Frame 20 1/2 x 23 1/4 inches (52 x 59 cm) Some mild denting of the copper. Some shadows reinforced. Darkened varnish.
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17th -18th Century Saint Ursula with Three of her Companions Oil on canvas 20 ¼ x 17 inches (51.4 x 43.3 cm) Frame 23 1/2 x 19 3/4 inches (59.7 x 50 cm)
Wax relined. Shadows reinforced. Scattered touches of restoration elsewhere.
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29
Quantity
1
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Estimate
2,000 - 4,000 USD
17th-18th Century Portrait of a Gentleman in a Blue Jacket Oil on canvas 36 x 28 inches (91.5 x 71.2 cm) Frame 41 3/4 x 33 inches (106.2 x 83.8 cm) Glue relined. Area of repair (3 x 2 inches) in the background of the upper right quadrant. Shadows and contours reinforced. Some touches of restoration elsewhere.
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1
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2,000 - 4,000 USD
17th-18th Century A Man Wearing a Turban Oil on canvas 31 x 26 5/8 inches (78.7 x 67.7 cm) Unframed Old glue relining. Visible stretcher marks. Frame abrasion with attendant losses around the edges. Several repaired tears in the background; one unrepaired tear in the lower left quadrant; and a 1-inch horizontal goudge near the center 6 inches above the lower edge. Various scratches and scrapes.
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1
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2,000 - 4,000 USD
Italian, 1692-1766 Harlequin the Painter , with an Allegory of Truth Oil on canvas 17 x 28 inches (43.2 x 71.2 cm) Frame 23 5/8 x 34 1/2 inches (60 x 87.7 cm) Glue relined. Some shadows in the drapery reinforced. Scattered touches of restoration elsewhere.
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2,000 - 4,000 USD
17 th -18 th Century A Fox Coming upon Rabbits and Chickens Oil on canvas 23 5/8 x 29 1/4 inches (60 x 74.2 cm) Frame 33 1/2 x 38 1/2 inches (85.2 x 97.8 cm) Glue relined. Repaired vertical tear at the lower edge in the lower left quadrant. Touches of restoration in the sky. Shadows reinforced.
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Estimate
10,000 - 20,000 USD
French, 1733-1808 Le Pont Tournant et la Terrasse des Tuileries, sur la Place Louis XV, à Paris Circa 1775 Signed H. Robert f. and bearing the collector's mark of the connoisseur and collector Marius Paulme (Lugt 1910) (ll) Sanguine chalk on paper 14 1/8 x 19 1/2 inches (36 x 49.5 cm) Frame 23 1/8 x 27 1/2 inches (58.8 x 69.8 cm) Provenance: [Sale] Hotel Drouot, Dec. 9, 1920 (No. 214) to F.M. Marius Paulme (Lugt 1910), Paris [Sale] Galerie Georges Petit, the Marius Paulme sale, May 13-15, 1929; purchased May 14 by “Owen” Collection of Mrs. C.I. Stralem, New York Shepherd Gallery, New York Acquired from the above in 1999 by the present owner Private collection, New York There is a slightly smaller version of this composition by Robert in the Musée de Valence, France, which is recorded in the catalogue “Les Hubert Robert de la Collection Veyrene au Musée de Valence,” 1985 by Jean de Cayeux, among "oeuvres en rapport" relating to cat. no. 52, “La Place Louis XV rue des fossees,” pp. 210-212.
Paper toned. (more to come)
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Figures in Classical Landscapes with Roman Ruins: A pair Oil on canvas Each 12 1/8 x 16 3/8 inches (30.7 x 41.6 cm) Frames 18 1/8 x 22 1/2 inches (46 x 57.2 cm) 205b and 204b Both: Glue relined. Scattered areas of restoration in the sky and landscape. Shadows and other dark areas reinforced. Scene with men playing dice: Repaired hole (1 1/2 x 1 inch) in the entablature of the temple in the upper left quadrant. Scene with a boat on a river: Restoration to the sail of the boat.
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1
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Estimate
8,000 - 12,000 USD
View of the Doge's Palace and the Piazzetta from the Bacino San Marco Oil on canvas 23 1/2 x 37 inches (59.7 x 94 cm) Frame 30 1/2 x 44 inches (77.5 x 111.8 cm) Provenance: Private collection, New York [Sale] Doyle New York, January 29, 2013, lot 66 Wax relined. Some paint flaking at lower right. Scattered touches of inpainting in the sky; some of the lines of the windows at center right reinforced. Gondolas and their shadows at lower right restored.
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1
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Estimate
2,000 - 4,000 USD
18th-19th Century View of Venice, with a Sailboat and Gondolas in the Bacino San Marco Oil on canvas 18 x 28 1/2 inches (45.8 x 72.3 cm) Frame 25 3/4 x 36 1/4 inches (65.5 x 92 cm) Provenance: Private collection, Arizona Glue relined. Repaired hole (1 1/2 x 1 inch) in the shadow of the large building at left; another repaired hole (3/4 x 3/4 inch) in the sky about 6 inches below the upper margin. A few smaller mended holes and tears. Some lines, contours, and shadows reinforced.
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A Procession in the Piazza San Marco Oil on canvas 38 1/4 x 52 3/4 inches (97.3 x 134 cm) Frame 41 1/2 x 56 1/2 inches (105.5 x 143.5 cm) Provenance: Private collection, Connecticut Glue relined. Scattered touches of restoration, especially in the sky. Shadows and other dark areas reinforced. Darkened varnish.
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19th Century The Rialto Bridge and San Giorgio Maggiore: A Pair Each oil on canvas 8 1/8 x 6 3/4 inches (20.5 x19.8 cm) Frames 12 1/4 x 11 inches (31 x 28 cm) Provenance: Hanover Square Gallery, New York Both: Glue relined. Lines, shadows, and other dark areas reinforced.
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The Cannaregio Canal at the Ponte dei Tre Archi Circa 1900 Oil on canvas 9 x 12 inches (22.8 x 30.5 cm) Frame 12 3/4 x 16 inches (32.5 x 40.7 cm) Provenance: John Koch, New York Exhibited: New York, the New York Cultural Center, before 1975
Glue relined. Scattered touches of restoration throughout. Scrape with paint loss along the lower edge (roughly 3/8 inch long).
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English, 1808-1894 The Grand Canal, Venice, Looking Toward the Dogana Oil on canvas 10 x 14 inches (25.5 x 35.5 cm) Frame 18 x 22 inches (46 x 56 cm) Visible stretcher marks; with a few attendant small losses.
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Still Life with Fruit on a Ledge, a Landscape in the Distance Oil on canvas 19 5/8 x 24 1/4 inches (50 x 61.6 cm) Frame 27 x 31 5/8 inches (68.6 x 80.3 cm) Provenance: Nick Woodridge Fine Art, Bath Wax relined. Several repaired holes in the background, and one near the lower left corner. Near this last, there is a 3-inch-long repaired vertical tear running upward from the lower edge.
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18th Century Portrait of a Lady in a Blue Jacket Inscribed indistinctly on the reverse Pastel on paper laid to canvas 21 3/4 x 18 inches (51.3 x 45.7 cm) Frame 21 1/2 x 24 5/8 inches (54.5 62.5 cm) Provenance: Private collection, New York In good condition.
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18th Century Portrait of a Nobleman Wearing the Order of the Golden Fleece Oil on canvas 16 3/8 x 13 1/8 inches (41.5 x 33.3 cm) Frame 19 7/8 x 16 3/4 inches (50.5 x 42.5 cm) Glue relined. Upper left corner area restored. Contours of the head reinforced. Areas of restoration in the background.
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French, 1715-1800 A Ruined Abbey Beside a Path Inscribed with the artist's name on the mat Black chalk on paper 6 1/4 x 6 3/4 inches (16 x 17.2 cm) Frame 11 1/4 x 14 7/8 inches (28.6 x 17.9 cm) Laid down to the mount. A few faint spots of soiling.
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18th-19th Century Leda and the Swan Oil on panel 9 1/4 x 8 1/4 inches (23.5 x 21 cm) Frame 17 3/4 x 16 1/2 inches (45 x 42 cm)
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1
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Estimate
2,000 - 3,000 USD
Austrian, 1764-1832 Still Life of Flowers, a Ceramic Jug, a Silk Shawl, and Peacock Feathers Signed with initials JM (ll) Oil on canvas 33 3/4 x 28 inches (85.7 x 71.3 cm) Frame 43 x 37 1/2 inches (109.3 x 95.4 cm)
Glue relined.
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Estimate
2,000 - 4,000 USD
An Evangelist Reading a Book Oil on canvas 30 x 25 1/4 inches (76.5 x 64 cm) Frame 32 1/2 x 27 1/2 inches (82.5 x 69.8 cm) Provenance: [Sale] Christie's, New York, April 8, 1988, lot 120 Private collection, New York
Glue relined. Canvas bucking in several long ridges at the lower center. Reinforced shadows.
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3,000 - 6,000 USD
18 th Century A Racehorse with his Groom, said to be Pompey the Little, the Property of Robert Parker, Esquire, Winner of the Newton Cup in 1751 Inscribed indistinctly at length on the stone block on which the groom is leaning (ll) Oil on canvas 40 x 50 inches (101.5 x 127 cm) Frame 45 x 55 inches (114.4 x 139.9 cm) Wax relined. Dense old varnish layer; condition difficult to interpret under UV light. Scattered touches of old restoration. Some shadows and contours reinforced.
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4,000 - 6,000 USD
British, 1768-1835 Portrait of the Artist and His Favorite Newfoundland , 1811 Remnants of a signature and date B. Marshall/11 (lr) Oil on canvas 28 1/2 x 34 inches (72.4 x 88.3 cm) Frame 34 1/2 x 41 inches (87.6 x 104.2 cm) Provenance: [Sale] Sotheby's, New York, June 5, 1982, lot 25 Glue relined. Surface somewhat thinned. Touches of restoration throughout.
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18th-19th Century Fête Galante Oil on canvas 51 1/2 x 38 1/2 inches (130.8 x 103 cm) Frame 56 x 42 1/2 inches (142.3 x 108 cm) Glue relined. Dense old varnish layer, difficult to read through under UV light. Scattered touches of restoration; some lines and shadows reinforced. Some minor surface scrapes
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2,000 - 4,000 USD
18th-19th Century Ladies Entertained by Musicians Outdoors Oil on canvas 27 x 22 inches (68.6 x 56 cm) Frame 32 1/2 x 27 3/4 inches (81.3 x 70.6 cm) Glue relined. Scattered touches of restoration, especially in the sky. Some shadows on the drapery reinforced.
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2,000 - 4,000 USD
Portrait of a Lady in White Oil on canvas 30 3/4 x 24 5/8 inches (78.2 x 62.6 cm) Frame 37 1/4 x 32 inches (94.4 x 81.5 cm) Provenance: Newman Galleries, Philadelphia Private collection Glue relined. Restoration to the face and upper chest. Some contours and shadows reinforced.
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English, 19th Century A View of Windsor Castle Oil on canvas 14 x 24 inches (35.6 x 61 cm) Frame 18 1/2 x 28 1/2 inches (47 x 72.5 cm) Glue relined. Scattered areas of restoration in the sky, especially in the clouds. Some shadows and other dark areas of the landscape reinforced.
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British, 1820-1904 A Bite Signed in monogram and dated 1875 (lr) Oil on canvas laid to panel 28 x 22 inches (71 x 56 cm) Frame 35 1/2 x 29 1/2 inches (90.3 x 74.9 cm) Provenance: [Sale] Christie's New York, April 23, 2003, lot 137 ($19,120 with buyer's premium) Selectively cleaned to highlight the lighter areas of the composition. Some contours and shadows reinforced. Scattered touches of restoration elsewhere.
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19th Century Woman in Blue Pastel on paper, ovoid Sight 19 1/2 x 15 1/2 inches (49.5 x 39.5 cm) Frame 23 1/4 x 19 inches (59.2 x 48.3 cm) Some minor abrasion on the right side.
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25,000 - 35,000 USD
French, 1796-1875 La Route à l'orée du Bois Signed COROT (ll) Oil on panel 7 5/8 x 16 1/4 inches (19.7 x 41.3 cm) Frame 15 3/4 x 23 1/2 inches (40 x 59.8 cm) Provenance: With Galerie Georges Petit, Paris, circa 1880 Mme. Binder-Mestre, Paris, 1889 With Boussod et Valadon, Paris, 1902 M. H. Pasquier, Paris, 1902 [Sale] Galerie Georges Petit, Paris, May 2, 1905, no. 15 With E.J. Van Wisselingh & Co., Amsterdam, circa 1924 Anon. sale, Parke-Bernet, New York, Feb. 28, 1972, lot 15 Nusser, Munich, 1973 Sale, Christie's, New York, May 25, 1995, Lot 177 Literature: A. Robaut, L'Oeuvre de Corot , Paris, 1965, vol. III, no. 2459 (E), illus. According to the May 25th Christie's, New York sale catalogue entry, this painting had been examined and authenticated by Martin Dieterle. Dirty varnish; frame rubbing; slight warp to the panel; 1 1/2 inch area of repair to an old split in the burl at the lower left corner at the edge, with scattered inpainting in the lower left corner; small spot of inpainting at center right and left center edge; few spots of inpainting in the center; there may be some restoration in the trees at center left; difficult to detect further restoration through the varnish under UV light.
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40,000 - 60,000 USD
French, 1796-1875 Canteleu, près de Rouen , 1871 Signed COROT (lr) Oil on canvas 18 1/4 x 13 1/2 inches (46.4 x 34.3 cm) Frame 26 1/2 x 22 1/4 inches (67.3 x 56.5 cm) Provenance: Vente J. Saulnier, Paris, June 5, 1886, no. 5 Collection Forbes, Londen, 1891 Colonel Stephenson Clarke Sir Ralph Stephenson Clarke, MP Robert Clarke Esq., Borde Hill, Sussex (until 1991) With Richard Green Fine Paintings, London, 1992 Sale, Christie's, New York, October 25, 1996, lot 14 Exhibited: Paris, Ecole des Beaux-Arts, Exposition de l'Oeuvre de Corot , 1875, no. 127 Paris, Maîtres du Siècle, May 1886, no. 35 Literature: A. Robaut, L'Oeuvre de Corot , Paris, 1905, vol. III, pp. 256 and 257, no. 2034
This work is accompanied by a letter of authenticity issued by Martin Dieterle. Scattered touches of inpainting in the sky and along the edges. Some faint craquelure in the sky just above the hills. Faintly visible stretcher bar marks. Tape along canvas edges.
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45,000 - 55,000 USD
French, 1824-1898 Entrée du Port du Havre , 1864 Signed and dated E. Boudin, 1864 (lr) Oil on canvas 16 3/4 x 21 3/4 inches (42.5 x 55.3 cm) Frame 26 x 31 1/8 inches (66 x 79 cm) Provenance: [Sale] Hôtel Drouot, Paris, March 25, 1868, no. 26 Comte Armand Doria, Paris Galerie Georges Petit, Paris Galerie Georges Petit, Paris, May 4 1899, no. 5 E.A. Sursham, St. Albans, England [Sale] Christies, London, December 1, 1970, vente E.A. Sursham, Esq., no. 82 Private collection Literature: Robert Schmit, Eugène Boudin 1824-1898, Catalogue raisonné de l'oeuvre peint, vol. I, Paris, 1973, p. 97, no. 292, illus. Relined; scattered craquelure, mainly in the sky; scattered inpainting, mainly in the sky and a few spots along the edges; unable to detect further restoration under UV light through the varnish; surface somewhat flattened from having been lined.
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Dutch, 1787-1870 Watching Ice Skaters on a Winter Day S igned Schelfhout (ll) Oil on panel 6 5/8 x 8 1/8 inches (16.7 x 20.4 cm) Frame 9 x 10 1/2 inches (22.9 x 26.5 cm)
Stable panel. In good condition.
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3,000 - 6,000 USD
Belgian, 1816-1907 A Street in a Dutch Town Signed Ch. Leickert (lr) Oil on panel 10 3/8 x 8 3/8 inches (26.5 x 21.3 cm) Frame 13 3/4 x 11 7/8 inches (34.5 x 30 cm) Provenance: Private collection, New York [Sale] Doyle, New York, November 10, 2021, lot 103 Estate of a private collector, New York Frame abrasion around the edges. A few touches of restoration in the sky. Small loss in lower right corner.
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